I am a big fan of Turkish author Orhan Pamuk, a winner of the Nobel Prize in Literature. I’ve just finished reading his latest novel Nights of Plague, an English translation of which was published at the end of 2022.
Nights of Plague is fiction, very thinly disguised
fiction. Some names and places have been
changed to “protect the innocent,” though there aren’t many of those to worry
about. It is set in 1901 during an outbreak of the plague on the island of Mingheria,
a state of the Ottoman Empire which has already entered its final decades. Mingheria,
like many islands in the Eastern Mediterranean, has a population which is
nearly evenly split between Greek Christians and Muslims who do not like or
even trust each other. That Mingheria
looks and sounds like Cyprus and/or Crete, is a part of the thinly disguised
fiction.
The novel has a complicated plot, or should I say
plots. Pamuk tells his story from the perspective of a historian researching
the plague. His primary source materials
are the letters written by Princess Pakize (the daughter of the deposed Sultan,
and niece of the current Sultan) to her sister.
Princess Pakize is married of to a doctor, an arranged marriage that actually
works out well. He is what we today would refer to as an epidemiologist. The Sultan sends them off to Hong Kong, to
study the plague outbreak there. Once onboard ship however they are rerouted to
Mingheria where the Sultan’s chief epidemiologist (a Christian) has just been
murdered. The Princess and her doctor husband are protected by a bodyguard, “the
Major,” who plays an outsized role in this story.
Pamuk continues the story splitting it into
multiple plots.
First of course is the plague itself which has begun
to spread wildly on the island as both Christians and Muslims routinely resist
all efforts to quarantine. The
similarities between the spread of the plague in 1901 and the resistance to
quarantine during the Covid pandemics in 2019 are real, as is the economic
impact of both. Keep in mind that Pamuk
started this book in 2016, before the Covid pandemic was even known.
Second, and vintage Pamuk, is the political intrigue
taking place in the Sultan’s family, and the ever-worsening decline of the
Ottoman Empire, as international powers prepare to move in for the “kill” enacted at the end of World War I.
And the third major plot is the murder mystery
aspect of the story which remains just somewhat unresolved at the end of the
book, without enough evidence to be certain. Pamuk’s references to the “Sherlock
Holmes” method of solving mysteries are great, as is the teasing “Chapter 51”
from Alexandre Dumas’ The Count of Monte Cristo.
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