Once you have
read a few of Kurt Vonnegut’s novels, you have learned to expect the bizarre. Classify them as science fiction, or comedy,
or biting social commentary, but expect dry humor, with no sacred cows.
Expect too the
reappearance of some familiar characters.
And in Breakfast of Champions, expect Vonnegut, as the book’s author (using
the pseudonym Philboy Sludge) to have first person conversations with the
characters he has created, including threatening to uncreate them.
Breakfast of Champions, published in 1973, and comically illustrated with juvenile line art, is a riot.
The lead
character in the book is Dwayne Hoover, owner of the Pontiac dealership in Midland
City, Ohio. He is the town’s most
prominent citizen. As such he has been
asked to spearhead the opening the new Arts Center. In that role he will accept the
recommendation of Eliot Rosewater of the Rosewater Foundation (and main
character in Vonnegut’s God Bless You Mr. Rosewater) on who should be the honorary
guest at the ceremony. His recommendation
is Kilgore Trout, Rosewater’s favorite author. Midland City is excited to have
an oft published writer for its opening even though no one in town knows
anything about him.
Trout, who
appears in several Vonnegut novels, writes science fiction articles. While they are widely published, they are
almost never read. Trout sells his articles to porn magazines. His stories are
used as filler between photo spreads. And we aren’t talking Playboy Magazine,
the magazines that buy Trout’s stories are more along the lines of Hustler, hardcore
pornography lawsuits waiting to happen.
Rosewater reads them “for the articles.”
Trout will
hitchhike from New York City to Midland City to accept the honor. His travel escapades along the way are …
well, memorable.
Once in
Midland, Sludge (Vonnegut) will stop by the bar at the hotel where guests are
staying. There he will observe them, and
then have a conversation with his characters, wrapping the story up.
There is an
additional character in the book named Wayne Hoobler. He is a Black man who has recently been
released from a correctional facility.
He idolizes and works for Dwayne Hoover.
With intentionally similar names, Wayne is economically and socially the
polar opposite of Dwayne. This works
perfectly as a social commentary, though distracting from its message is Vonnegut’s
frequent use of the “N” work to reflect the "reality" of the times.
Recommendation:
Not for everyone, but if you like Vonnegut’s other works, you’ll love
this.
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