As I continue toward my goal of finally conquering James
Joyce’s classic Ulysses, I began by reading Dubliners several weeks ago, a
collection of character studies. Now, I’ve
completed Joyce’s first full length book, A
Portrait of the Artist as a Young Man, a semi-autobiographical text.
Joyce was born and raised in Ireland, yet chose to flee to
Paris after university. In Portrait of
the Artist, the title character is Joyce’s alter ego, Stephen Dedalus. His coming of age crisis, if one wants to classify
it as such, is masterful writing, completely intense, and not at all an easy
read, even at a relatively short 224 pages.
The Norton Critical Edition that I read included nearly 400 pages of
notes – most of which I passed over.
Without the notes however, one needs a fairly strong
knowledge of: Irish history, the Catholic catechism, and Church structure vis-à-vis
diocesan and orders (in this case, both Franciscan and Jesuit). After one chapter of A Portrait, I had to stop
and do a review of Irish history, building on a solid basis that I had not
realized I had acquired just by living in Chicago, occasionally referred to as
Ireland’s County Cook.
The chapters of the book relating to Stephen’s early
childhood delve heavily into Irish political history, as discussed at a family
dinner party. The heated discussion laid
bare the divide between those who viewed the institution of the Church, as the guarantor
of the Irish people, and those who viewed the diocesan structure as selling out
to the colonizers.
When Stephen enters university however, is when his personal
dilemmas materialize, and he’s faced with questions of sexual awakening morality. He has pre-marital sex, which delights him, but
then plunges him into the depths of guilt, compounded by priests and a theology
that forbids this. The strongest section
of the book details Stephen’s confession, which occurs as he is being urged by
his teachers to consider the priesthood, a temptation to most males born in the
Church. His post-confession personal
homily is some 40 pages long, intense, and decisive. He will never be able to live up to the
standards of a priest, because he does not believe in those standards.
Some of Joyce’s best narrative is the dialogue between Stephen
and his university classmates as they question everything, and then question
the answer – an at times vicious circle of academic arrogance and pomposity, as
these overly educated people wield their education for sport. Joyce captures this academic subculture
perfectly.
In the end, Stephen prepares to depart Ireland, not out of
repudiation, for Joyce will make his life work chronicling the country and its society;
but out of a need to find a neutral space where he can think about the world,
not respond to it.
Because I have attempted to read Ulysses before (actually, I’ve tried
several times), I know that page one of the book will re-introduce Stephen
Dedalus to readers. Now, I think, I’m
better prepared for that challenge.
Recommendation: James Joyce is a genius writer, but he is
not light reading. Prepare to devote the
needed time and thought if you pick up any of his works.
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