At a mammoth 903 pages, City
on Fire by Garth Risk Hallberg provides ample proof there really are only
six degrees of separation. By the novel’s
end, we’ve met everyone in New York, or at least their stand-in, and have had
to draw a genealogy-like chart to connect them.
It’s a suspense filled book, with a convoluted plot (my only criticism). But, let me emphasize, it is a phenomenal
read.
How does one begin to summarize this book without providing
a spoiler? Not an easy task.
It’s set mostly in Manhattan and the Bronx, with chapters in
Brooklyn Heights, Staten Island, and for suburban angst, trips to Long Island. The time frame is 1977, the bicentennial is
over, disco is reigning, punk is rebelling, and the plague has not yet arrived. It is the time period immortalized by images
of subway graffiti. Oh, and the finale happens
during a city-wide electricity blackout.
In reality, the main character is New York. The supporting cast includes many people, and
it would be difficult to single out just one, they all play significant
roles. In no particular order:
- William – the gay son of the Hamilton-Sweeney bluebloods.
- Regan – William’s sister
- Charlie – the epitome of suburban wannabee part of the action.
- Sam(antha) – the epitome of suburban girl who is part of the action.
- Keith – who is married to Regan, and having an affair with Sam
- Mercer – William’s boyfriend
- Amory – a.k.a. Demon Brother, William & Regan’s step-Uncle.
- Richard – a reporter
- Dr. Zig – a radio shock jock
- Larry – a NYC police detective
- Sewer Girl, Sol, DT, Jenny and many more … and Ex Post-Facto, the punk rock group that connects the dots.
I will often “dog-ear” pages when I read a book, and did so twice
with City on Fire because of short quotes that so perfectly capture a larger
topic.
The first was to mark a passage from a chapter about the riots
that occur during the blackout, Mercer gets attacked when he tries to prevent a
school from being ransacked. He gets
rescued by a drag queen named Venus de Nylon.
“I had no idea you had it in you,” says Mercer to his rescuer. Venus’ response: “No one ever does, Mercer, until they get
pushed too far” – a clear flashback to the start of the modern day gay rights movement a few blocks away (New York, 1969) when drag queens led the counter-charge during a police raid on the
Stonewall Inn.
It was like a waiting room where they kept not calling your name.
My other “dog ear” is from a flash forward. It alludes to one of the gay characters who later
contracted AIDS, as he is being treated with early, less effective drug regimens: “They
put him on drugs, things went up and down, but he lived. He lived.
It was like a waiting room where they kept not calling your name.” An entire genre of books has been written on
this subject. Hallberg got it in one
sentence.
Recommendation: I
loved the book, convoluted plot or not.
Do I recommend it? Hard to say,
you may have to make that call yourself. There is a lot of "airing of dirty laundry" in this book, particularly on the 70's rampant sex and drug culture, but I cannot say there are any inaccuracies. What I can say is there is a lot in this book that many will not want to read, and others will deny.
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