Colorless Tsukuru Tazaki and His Years of Pilgrimage (Japanese 2013; English translation 2014) By Haruki Murakami

Wow. That one word could suffice as a description of Colorless Tsukuru Tazaki And His Years of Pilgrimage by Haruki Murakami, were I not so eager write more.

Mr. Murakami is a major force in literature in Japan and in English translations throughout the world. He’s also rather prolific, though this is the first work of his I’ve read. Now for a cliché: were it not for having to work, I would have read this book straight through, that’s how good it is. 

The main character is a young man named Tsukuru Tazaki who grew up in the suburbs of Nagoya, Japan. In high school he was part of a 3-guy, 2-girl clique of friends. Each of the other members of the clique have names that include a color; i.e. one of the guys is named Akamatsu, which means “red pine,” another is named Oumi, meaning “blue sea.” Tsukuru’s name means “builder.” He has no color to claim, hence the nickname of “Colorless Tsukuru Tazaki.” Nicknames can define you, for life.  Colorless Tsukuru developed a self-image of boring, average, nondescript.

After high school Tsukuru goes away to engineering school in Tokyo. The others enroll in universities in Nagoya. For a while, they remain as close as always, with Tsukuru frequently coming home from college on weekends to see his friends. Then suddenly Tsukuru gets the feeling he’s being left out, no calls, no emails. He comes home to find out what’s going on. No one will see him. Finally, one of them returns his calls, informing him they’ve jointly decided to expel him from their group. No explanation, just a leave us alone.

Tsukuru returns to Tokyo devastated. 

For several months he just goes through the motions of living, and considers if even that is worth the effort. Eventually, he puts it all in the past and moves on. But the experience has left a permanent scar on him, an inability to become emotionally close to anyone. 

Sixteen years later, and still single, he begins a dating relationship with a woman named Sara. She calls him out on his intimacy issue, and he explains his life story to her. Her reaction is sympathetic, but she tells him she can’t continue with him as anything more than a casual friend until he confronts his four childhood friends and seeks an answer to why they ostracized him years ago.

The remainder of the book deals with Tsukuru’s efforts to find that answer. He eventually does, but in the process opens up several other mysteries which remain unsolved after the final page, not the least of which is the status of his relationship with Sara -- all the perfect set-up for a sequel. I suspect, after researching the author, that I won’t be disappointed on that front; his first published works after all, formed a trilogy titled The Rat.

Also, from reading over the Haruki Murakami website, and through Wikipedia, I’ve learned he has a reputation of dropping lots of musical themes into his writings. In Colorless he utilizes two: one a classical recording of Franz Listz' Years of Pilgrimage as performed by Lazar Berman; the other for contrast, Elvis Presley's Viva Las Vegas.

Reviewers have noted that Murakami’s writing is very “western.” While true, I think it’s because he writes about modern Japan, not the traditional one readers might be expecting, though at least in Colorless, he tips his hat to traditional writing, making a great cultural blend.

Recommendation:  You bet.