I am somewhat at a loss to describe The World in the Evening by Christopher Isherwood. The word “vast” comes to mind, though that seems vague and somewhat misleading. By “vast” I don’t mean lengthy or inaccessible, or even epic, it is none of these. I mean it is vast in the range of life experiences that are explored.
The book follows the early adult life of Stephen Monk, from his
postgraduate days through two early marriages. To tell his story Isherwood merges two established literary
genres: the Masterpiece Theater formula of the British gentry aimlessly
wandering through Europe, and the formula of American youth “finding
themselves” on "the" continent, after graduation, before returning to the States
to begin their adult lives.
The first marriage is to a British author named Elizabeth,
who dies of a heart ailment -- the title is taken from one of her books. His
second marriage is to Jane, an American party girl. The book begins as Stephen’s marriage to
Jane is dissolving, and is primarily told through a series of flashbacks
triggered by his reading of Elizabeth’s personal letters as he is convalescing
from a serious accident.
Readers of this book will fall for Stephen as they page through his
life story. He is a likeable, almost
charismatic figure, though he is not a particularly admirable human being,
which perhaps adds to his attraction.
While The World in the
Evening is a personal story, it plays out mainly in Europe over a momentous period of
history – World War II is underway by the book’s end. This backdrop is rarely the focal point of the
story, but its presence grows as the book unfolds.
Isherwood is regarded as an early witness of the rise of Nazism, and
notes it frequently in his writings set in the 1930s, including this
book. Yet, what has always left me questioning is whether he recognized
the early beginnings of this decline into an abyss as it was occurring, as his
books suggest, or if it was with a flawless 20-20 hindsight. His books
were, to my knowledge, written years later, after the full extent of the
holocaust became widely known to the rest of the world. I may have to add
an Isherwood biography to my reading list to better address this question
(though that’s no guarantee of an answer), and let me point out that the
question does not pertain solely to Isherwood.
And finally, this would not be an Isherwood novel were it not to
include some gay characters. One seems
particularly worthy of mention because he seems out of context. Stephen’s
doctor has a young lover named Bob, who like Stephen
was raised a Quaker. From a literary standpoint, Bob’s primary purpose
in the book is to allow Isherwood to explore the subject of religious pacifism
at the advent of a war against an unmistakable evil. But the
interesting thing about how Bob is portrayed is that he is philosophically an
unapologetic gay man, who clearly would have become a “militant” gay activist
if he lived in the 1970s or later, yet the story takes place
in the 1930’s and was written in 1952 when this topic was still very much “the
love that dare not speak its name.”
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